tag:blogger.com,1999:blog-41310330138435697362024-03-12T20:47:13.301-07:00English 263My blog for the assignments in English 263: Intro to Novels.Lindsayhttp://www.blogger.com/profile/06529316419243964825noreply@blogger.comBlogger15125tag:blogger.com,1999:blog-4131033013843569736.post-65537740628813562542010-12-20T18:47:00.001-08:002010-12-20T18:47:58.694-08:00Final Project<!--[if gte mso 9]><xml> <w:WordDocument> <w:View>Normal</w:View> <w:Zoom>0</w:Zoom> <w:TrackMoves/> <w:TrackFormatting/> <w:PunctuationKerning/> <w:ValidateAgainstSchemas/> <w:SaveIfXMLInvalid>false</w:SaveIfXMLInvalid> <w:IgnoreMixedContent>false</w:IgnoreMixedContent> <w:AlwaysShowPlaceholderText>false</w:AlwaysShowPlaceholderText> <w:DoNotPromoteQF/> <w:LidThemeOther>EN-US</w:LidThemeOther> <w:LidThemeAsian>X-NONE</w:LidThemeAsian> <w:LidThemeComplexScript>X-NONE</w:LidThemeComplexScript> <w:Compatibility> <w:BreakWrappedTables/> <w:SnapToGridInCell/> <w:WrapTextWithPunct/> <w:UseAsianBreakRules/> <w:DontGrowAutofit/> <w:SplitPgBreakAndParaMark/> <w:DontVertAlignCellWithSp/> <w:DontBreakConstrainedForcedTables/> <w:DontVertAlignInTxbx/> <w:Word11KerningPairs/> <w:CachedColBalance/> </w:Compatibility> <w:BrowserLevel>MicrosoftInternetExplorer4</w:BrowserLevel> <m:mathPr> <m:mathFont m:val="Cambria Math"/> <m:brkBin m:val="before"/> <m:brkBinSub m:val="--"/> <m:smallFrac m:val="off"/> <m:dispDef/> <m:lMargin m:val="0"/> <m:rMargin m:val="0"/> <m:defJc m:val="centerGroup"/> <m:wrapIndent m:val="1440"/> <m:intLim m:val="subSup"/> <m:naryLim m:val="undOvr"/> </m:mathPr></w:WordDocument> </xml><![endif]--><!--[if gte mso 9]><xml> <w:LatentStyles DefLockedState="false" DefUnhideWhenUsed="true"
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<div align="center" class="MsoNoSpacing" style="line-height: 200%; text-align: center;"><b><span style="font-family: "Times New Roman","serif"; font-size: 16pt; line-height: 200%;">Sexual Innuendo and Homoeroticism</span></b></div><div align="center" class="MsoNoSpacing" style="text-align: center;"><span style="font-family: "Times New Roman","serif"; font-size: 12pt;">Lindsay Brown</span></div><div align="center" class="MsoNoSpacing" style="text-align: center;"><span style="font-family: "Times New Roman","serif"; font-size: 12pt;">English 263</span></div><div align="center" class="MsoNoSpacing" style="text-align: center;"><span style="font-family: "Times New Roman","serif"; font-size: 12pt;">Final Paper</span></div><div class="MsoNoSpacing" style="line-height: 200%;"><br />
</div><div class="MsoNoSpacing" style="line-height: 200%;"><br />
</div><div class="MsoNoSpacing" style="line-height: 200%; text-indent: 0.5in;"><span style="font-family: "Times New Roman","serif"; font-size: 12pt; line-height: 200%;">Throughout this semester, many of the vampire novels that we have analyzed have had a certain thing in common.<span> </span>Simply, the vampire needed to drink the blood of a living being to survive.<span> </span>This can be seen as just that, something needed to live; a necessity.<span> </span>However, if you were to look deeper into it, it can be seen as a sexual act.<span> </span>The exchange of fluids goes both ways.<span> </span>The blood of the living person flows in to the vampire, making him stronger and able to live.<span> </span>Also, the vampire’s fluid flowing back into the living being’s body; and if left, making that being into a vampire.<span> </span>The fact that this exchange of fluids can also be seen as reproduction (making more of them) it is easy to see how sucking blood, or any fluid transfers in general can be sexual.</span></div><div class="MsoNoSpacing" style="line-height: 200%; text-indent: 0.5in;"><span style="font-family: "Times New Roman","serif"; font-size: 12pt; line-height: 200%;">One book that we read where the sexual nature of blood sucking was apparent was <i>Dracula</i> by Bram Stoker. One character that is worth looking at in this book is Lucy.<span> </span>Lucy starts off as an innocent girl, though somewhat naïve. She’s outgoing, and fits into the traditional role of Victorian women.<span> </span>She doesn’t work and is seemingly obsessed with finding a man to marry (and she is rather successful at this, having three proposals in one day).<span> </span>This changes, however, later in the book.</span></div><div class="MsoNoSpacing" style="line-height: 200%; text-indent: 0.5in;"><span style="font-family: "Times New Roman","serif"; font-size: 12pt; line-height: 200%;">Mina notices that Lucy has left her bed in the middle of the night, and becomes fearful of where she could be.<span> </span>Mina finally spots Lucy in the churchyard, and also mentions that there seemed to be something dark standing behind her.</span></div><div class="MsoNoSpacing" style="line-height: 200%; text-indent: 0.5in;"><i><span style="font-family: "Times New Roman","serif"; font-size: 12pt; line-height: 200%;">“The coming of the cloud was too quick for me to see much, for shadow shut down on the light almost immediately; but it seemed to me as though something dark stood behind the seat where the white figure shone, and bent over it.<span> </span>What it was, whether man or beast, I could not tell.”</span></i><span style="font-family: "Times New Roman","serif"; font-size: 12pt; line-height: 200%;"> (Page 88)<span> </span></span></div><div class="MsoNoSpacing" style="line-height: 200%; text-indent: 0.5in;"><span style="font-family: "Times New Roman","serif"; font-size: 12pt; line-height: 200%;">This is actually the first encounter that Lucy and Mina have with Dracula in the book.<span> </span>It’s important to note that Mina notices this dark figure (that we perceive to be Dracula) because later she notices puncture wounds on Lucy’s neck.<span> </span>These puncture wounds mark the first time that Dracula has actually draw blood from Lucy.<span> </span>If we bring in the idea of the exchange of fluids being sexual, it can be seen as the first time that Lucy and Dracula have engaged in sexual acts together.</span></div><div class="MsoNoSpacing" style="line-height: 200%; text-indent: 0.5in;"><i><span style="font-family: "Times New Roman","serif"; font-size: 12pt; line-height: 200%;">“I was sorry to notice that my clumsiness with the safety-pin hurt her.<span> </span>Indeed, it might have been serious, for the skin of her throat was pierced.<span> </span>I must have pinched up a piece of loose skin and have transfixed it, for there are two little red points like pinpricks, and on the band of her nightdress was a drop of blood. <span> </span>When I apologized and was concerned about it, she laughed and petted me, and said she did not even feel it.<span> </span>Fortunately it cannot leave a scar, as it is so tiny.”</span></i><span style="font-family: "Times New Roman","serif"; font-size: 12pt; line-height: 200%;"> (Page 89)<span> </span></span></div><div class="MsoNoSpacing" style="line-height: 200%; text-indent: 0.5in;"><span style="font-family: "Times New Roman","serif"; font-size: 12pt; line-height: 200%;">Dracula keeps visiting Lucy, and can be shown by the fact that the previously mentioned wounds on her neck will not heal.</span></div><div class="MsoNoSpacing" style="line-height: 200%; text-indent: 0.5in;"><i><span style="font-family: "Times New Roman","serif"; font-size: 12pt; line-height: 200%;">“I trust her feeling ill may not be from that unlucky prick of the safety pin.<span> </span>I looked at her throat just now as she lay asleep, and the tiny wounds seem not to have healed.<span> </span>They are still open, and, if anything, larger than before, and the edges are faintly white.<span> </span>They are like little white dots with red centers.<span> </span>Unless they heal within a day or two, I shall insist on the doctor seeing about them.”</span></i><span style="font-family: "Times New Roman","serif"; font-size: 12pt; line-height: 200%;"> (Page 92)</span></div><div class="MsoNoSpacing" style="line-height: 200%; text-indent: 0.5in;"><span style="font-family: "Times New Roman","serif"; font-size: 12pt; line-height: 200%;">Lucy’s character begins to disintegrate, alluding to the fact that she no longer carries the role of a proper Victorian woman anymore.<span> </span>This is shown through her sickness, and is because of the fact that she is continuously fed on by Dracula.<span> </span>In other words, continuously having sexual relations with Dracula.<span> </span>A proper Victorian woman is seen to be virginal, and Dracula takes this title away from her.</span></div><div class="MsoNoSpacing" style="line-height: 200%; text-indent: 0.5in;"><span style="font-family: "Times New Roman","serif"; font-size: 12pt; line-height: 200%;">Another instance of fluid exchange being seen as sexual is the blood transfusions that Lucy receives to try to say her life.<span> </span>Through the process of these transfusions, she obtains blood from three different men.<span> </span>Because of the sexual air that we have been discussing, this can be seen as her engaging in sexual acts with all these of these men.<span> </span>This certainly does not help her character or her health and the transfusions fail to save her life.</span></div><div class="MsoNoSpacing" style="line-height: 200%; text-indent: 0.5in;"><span style="font-family: "Times New Roman","serif"; font-size: 12pt; line-height: 200%;">It’s interesting to note that Dracula succeeds in making Lucy a vampire.<span> </span>This goes along with the idea of fluid exchange being sexual because it results in reproduction.<span> </span>It’s also interesting because of the fact that through the last while of her life, she has been symbolically having sexual relations with many men, and in death she actually turns into the vixen that her character had become in life.</span></div><div class="MsoNoSpacing" style="line-height: 200%; text-indent: 0.5in;"><i><span style="font-family: "Times New Roman","serif"; font-size: 12pt; line-height: 200%;">“There lay Lucy, seemingly just as we had seen her the night before her funeral.<span> </span>She was, if possible, more radiantly beautiful than ever; and I could not believe she was dead.<span> </span>The lips were red, nay redder than before; and on the cheeks was a delicate bloom.</span></i></div><div class="MsoNoSpacing" style="line-height: 200%; text-indent: 0.5in;"><i><span style="font-family: "Times New Roman","serif"; font-size: 12pt; line-height: 200%;">‘Is this a juggle?’ I said to him.</span></i></div><div class="MsoNoSpacing" style="line-height: 200%; text-indent: 0.5in;"><i><span style="font-family: "Times New Roman","serif"; font-size: 12pt; line-height: 200%;">‘Are you convinced now?’ said the Professor in response, as he spoke he put over his hand, and in a way that made me shudder, pulled back the dead lips and showed the white teeth.</span></i></div><div class="MsoNoSpacing" style="line-height: 200%; text-indent: 0.5in;"><i><span style="font-family: "Times New Roman","serif"; font-size: 12pt; line-height: 200%;">‘See,’ he went one, ‘see, they are sharper than before. With this and this’ – and he touched one of the canine teeth and that below it – ‘the little children can be bitten.”</span></i><span style="font-family: "Times New Roman","serif"; font-size: 12pt; line-height: 200%;"> (Page 178)</span></div><div class="MsoNoSpacing" style="line-height: 200%; text-indent: 0.5in;"><span style="font-family: "Times New Roman","serif"; font-size: 12pt; line-height: 200%;">Looking at blood drinking as a sexual act also transforms the actions in another book we read, <i>Interview with the Vampire</i> by Anne Rice.<span> </span>Even without looking at blood drinking in this light, things are still sensual between Louis and Lestat.<span> </span>However, after looking at it sexual, we see a homosexual relationship (however unstable) form between them.</span></div><div class="MsoNoSpacing" style="line-height: 200%; text-indent: 0.5in;"><span style="font-family: "Times New Roman","serif"; font-size: 12pt; line-height: 200%;">It begins when Lestat turns Louis into a vampire.<span> </span>This is another example of reproduction and thus a sexual act.<span> </span>Their first encounter with each other is extremely sensual, especially when coupled with Louis falling in love with all of the details of the world.<span> </span>In this moment, he is completely in love with what he is and Lestat.<span> </span></span></div><div class="MsoNoSpacing" style="line-height: 200%; text-indent: 0.5in;"><i><span style="font-family: "Times New Roman","serif"; font-size: 12pt; line-height: 200%;">‘“I think that I knew what he meant to do even before he did it, and I was waiting in my helplessness as if I’d been waiting for years.<span> </span>He pressed his bleeding wrist to my mouth, said firmly, a little impatiently, ‘Louis, drink.’<span> </span>And I did. ‘Steady Louis,’ and ‘Hurry,’ he whispered to me a number of times.<span> </span>I drank, sucking the blood out of the holes, experiencing for the first time since infancy the special pleasure of sucking nourishment, the body focused with the mind upon one vital source.<span> </span>Then something happened.”<span> </span>The vampire sat back, a slight frown on his face.</span></i></div><div class="MsoNoSpacing" style="line-height: 200%; text-indent: 0.5in;"><i><span style="font-family: "Times New Roman","serif"; font-size: 12pt; line-height: 200%;">“How pathetic it is to describe these things which can’t truly be described,” he said, his voice low almost to a whisper.<span> </span>The boy sat as if frozen.</span></i></div><div class="MsoNoSpacing" style="line-height: 200%; text-indent: 0.5in;"><i><span style="font-family: "Times New Roman","serif"; font-size: 12pt; line-height: 200%;">“I saw nothing but that light then as I drew blood.<span> </span>And then this next thing, this next thing was . . . sound.<span> </span>A dull roar at first and then a pounding like the pounding of a drum, growing louder and louder, as if some enormous creature were coming up on one slowly through a dark and alien forest, pounding as he came, a huge drum.<span> </span>And then there came the pounding of another drum, as if another giant were coming yards behind him, and each giant, intent on his own drunk, gave not notice to the rhythm of the other.<span> </span>The sound grew louder and louder until it seemed to fill not just my hearing but all my senses, to be throbbing in my lips and fingers, in the flesh of my temples, in my veins.<span> </span>Above all, in my veins, drum and then the other drum; and then Lestat pulled his wrist free suddenly, and I opened my eyes and checked myself in a moment of reaching for his wrist, grabbing it, forcing it back to my mouth at all costs; I checked myself because I realized that the drum had been my heart, and the second d drum had been his.”‘ </span></i><span style="font-family: "Times New Roman","serif"; font-size: 12pt; line-height: 200%;">(Page 20)</span></div><div class="MsoNoSpacing" style="line-height: 200%; text-indent: 0.5in;"><span style="font-family: "Times New Roman","serif"; font-size: 12pt; line-height: 200%;">This quote clearly shows how intense the act of blood drinking can be.<span> </span>It completely consumed Louis, to the point where the rest of the world around him faded and he was focused on that one thing.<span> </span>Symbolically this act is effectively like taking Louis’ virginity.<span> </span>His first time participating in such in act would understandably consume and overwhelm him.<span> </span>Also, it made him slightly addicted to it and left him wanting more, so to speak, as evidenced when he had to consciously stop himself from grabbing Lestat’s wrist back.</span></div><div class="MsoNoSpacing" style="line-height: 200%; text-indent: 0.5in;"><span style="font-family: "Times New Roman","serif"; font-size: 12pt; line-height: 200%;">It’s interesting to note that although Louis seems very in love with Lestat at this point, he does not actually love him.<span> </span>He seems more in love with the experience; much like someone might enjoy sex with someone they are not in love with.<span> </span>The following quote shows how Louis really feels about Lestat.</span></div><div class="MsoNoSpacing" style="line-height: 200%; text-indent: 0.5in;"><i><span style="font-family: "Times New Roman","serif"; font-size: 12pt; line-height: 200%;">“’Now I’m getting into the coffin,’ he finally said to me in his most disdainful tone, ‘and you will get in on top of me if you know what’s good for you.’ And I did.<span> </span>I lay face-down on him, utterly confused by my absence of dread and filled with distaste for being so close to him, handsome and intriguing though he was.<span> </span>And he shut the lid.<span> </span>[…] The first thing that became apparent to me, even while Lestat and I were leading the coffin into a hearse and stealing another coffin from a mortuary, was that I did not like Lestat at all.<span> </span>I was far from being his equal yet, but I was infinitely closer to him that I had been before the death of my body.<span> </span>I can’t really make this clear to you for the obvious reason that you are now as I was before my body died.<span> </span>You cannot understand.<span> </span>But before I died, Lestat was absolutely the most overwhelming </span></i><span style="font-family: "Times New Roman","serif"; font-size: 12pt; line-height: 200%;">experience<i> I’d ever had.’</i> (Page 25)</span></div><div class="MsoNoSpacing" style="line-height: 200%; text-indent: 0.5in;"><span style="font-family: "Times New Roman","serif"; font-size: 12pt; line-height: 200%;">His second time drinking blood was just as entrancing as the first.</span></div><div class="MsoNoSpacing" style="line-height: 200%; text-indent: 0.5in;"><i><span style="font-family: "Times New Roman","serif"; font-size: 12pt; line-height: 200%;">”Lestat and the swamp and the noise of the distant camp mean nothing.<span> </span>Lestat might have been an insect, buzzing, lighting, then vanishing in significance.<span> </span>The sucking mesmerized me; the warm struggling of the man was soothing to the tension of my hands; and there came the beating of the drum again, which was the drumbeat of his heart – only this time it beat in perfect rhythm with the drumbeat of my own heart, the two resounding in every fiber of my being, until the beat began to grow slower and slower, so that each was a soft rumble that threatened to go on without end.<span> </span>I was drowsing, falling into weightlessness; and then Lestat pulled me back.”</span></i><span style="font-family: "Times New Roman","serif"; font-size: 12pt; line-height: 200%;"> (Page 30)</span></div><div class="MsoNoSpacing" style="line-height: 200%; text-indent: 0.5in;"><span style="font-family: "Times New Roman","serif"; font-size: 12pt; line-height: 200%;">It seems that drinking blood is addicting, as evidenced between the previous quotes from <i>Interview with the Vampire</i>.<span> </span>Louis almost can’t pull himself out of the trance that the act puts him in, almost harming himself the second time (drinking from a dead body).<span> </span>This can be related to how someone might be addicted to sex, and crave it like the vampires are craving blood.<span> </span>However, even though Louis craves blood, he does not kill for fun, or even make a game out of killing his victims.<span> </span>He kills out of necessity, and to keep himself alive.<span> </span>Much unlike Lestat who will make a game out of it, and ‘play with his food’ so to speak.</span></div><div class="MsoNoSpacing" style="line-height: 200%; text-indent: 0.5in;"><span style="font-family: "Times New Roman","serif"; font-size: 12pt; line-height: 200%;">If we continue to look at blood drinking and the exchange of fluids as a sexual act, we have to agree that there <i>is</i> homosexual intercourse within the novel <i>Interview with the Vampire</i>.<span> </span>However, cloaking the sex within a different act (drinking blood) that can be seen as having reasons of its own besides sexual reason, people who don’t want to see sexual acts between two characters of the same sex won’t, they will just see the vampires drinking blood to stay alive or to make more vampires.<span> </span>This fact helps with the book’s acceptance, because it makes it more socially acceptable to a wider range of people.<span> </span>It can be seen as ‘just another vampire book’ when really it is actually very risqué if you understand the connections between the fluid exchange and sex.</span></div><div class="MsoNoSpacing" style="line-height: 200%; text-indent: 0.5in;"><br />
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</div><div class="MsoNoSpacing" style="line-height: 200%;"><b><span style="font-family: "Times New Roman","serif"; font-size: 16pt; line-height: 200%;">Works Cited</span></b></div><div class="MsoNoSpacing" style="line-height: 200%;"><br />
</div><div class="MsoNoSpacing" style="line-height: 200%;"><span style="font-family: "Times New Roman","serif"; font-size: 12pt; line-height: 200%;">Stoker, Bram, Nina Auerbach, and David J. Skal. <i>Dracula</i>. New York: W.W. Norton, 1997. Print.</span></div><div class="MsoNoSpacing" style="line-height: 200%;"><br />
</div><div class="MsoNoSpacing" style="line-height: 200%;"><span style="font-family: "Times New Roman","serif"; font-size: 12pt; line-height: 200%;">Rice, Anne. <i>Interview with the Vampire</i>. New York, NY: Ballantine, 1997. Print.</span></div>Lindsayhttp://www.blogger.com/profile/06529316419243964825noreply@blogger.com0tag:blogger.com,1999:blog-4131033013843569736.post-68348821785102144172010-12-17T19:18:00.000-08:002010-12-17T19:18:10.551-08:00Course Review<!--[if gte mso 9]><xml> <w:WordDocument> <w:View>Normal</w:View> <w:Zoom>0</w:Zoom> <w:TrackMoves/> <w:TrackFormatting/> <w:PunctuationKerning/> <w:ValidateAgainstSchemas/> <w:SaveIfXMLInvalid>false</w:SaveIfXMLInvalid> <w:IgnoreMixedContent>false</w:IgnoreMixedContent> <w:AlwaysShowPlaceholderText>false</w:AlwaysShowPlaceholderText> <w:DoNotPromoteQF/> <w:LidThemeOther>EN-US</w:LidThemeOther> <w:LidThemeAsian>X-NONE</w:LidThemeAsian> <w:LidThemeComplexScript>X-NONE</w:LidThemeComplexScript> <w:Compatibility> <w:BreakWrappedTables/> <w:SnapToGridInCell/> <w:WrapTextWithPunct/> <w:UseAsianBreakRules/> <w:DontGrowAutofit/> <w:SplitPgBreakAndParaMark/> <w:DontVertAlignCellWithSp/> <w:DontBreakConstrainedForcedTables/> <w:DontVertAlignInTxbx/> <w:Word11KerningPairs/> <w:CachedColBalance/> </w:Compatibility> <w:BrowserLevel>MicrosoftInternetExplorer4</w:BrowserLevel> <m:mathPr> <m:mathFont m:val="Cambria Math"/> <m:brkBin m:val="before"/> <m:brkBinSub m:val="--"/> <m:smallFrac m:val="off"/> <m:dispDef/> <m:lMargin m:val="0"/> <m:rMargin m:val="0"/> <m:defJc m:val="centerGroup"/> <m:wrapIndent m:val="1440"/> <m:intLim m:val="subSup"/> <m:naryLim m:val="undOvr"/> </m:mathPr></w:WordDocument> </xml><![endif]--><!--[if gte mso 9]><xml> <w:LatentStyles DefLockedState="false" DefUnhideWhenUsed="true"
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<div class="MsoNormal">I have understood the depth of blood drinking and what it represents.<span> </span>Before this class, I saw it as only a method for the vampires to continue to live.<span> </span>A necessary evil.<span> </span>After this class, I now see how it can be taken in a more sensual manner.<span> </span>Another thing I learned is the fact that ‘normal’ humans react so strongly to them in novels because they are different.<span> </span>They are seen as threatening and people seek to destroy them, even if they are not really evil.<span> </span>(An example would be Louis.<span> </span>He is not evil, as he feels guilt over every kill he has to perform).<span> </span></div><div class="MsoNormal">I have developed a deeper appreciation for novels.<span> </span>After having to analyze novels for this class, it is kind of impossible not to.<span> </span>I think from now on I will always look deeper than the surface when reading novels, and try to figure out the underlying themes of the books.<span> </span>I have definitely evolved me as a reader because of this. <span> </span>I think I have also evolved as a writer during this course because of the fact that everyone has access to read what I write, so that pushes me to write better than I otherwise might have.</div><div class="MsoNormal">The novel that had the greatest effect of me was Interview with the Vampire.<span> </span>It showed a different side to vampires.<span> </span>Instead of previous novels where vampires were observed by the narrator, this novel actually put you in the shoes of the vampire.<span> </span>You see what they are actually feeling, and how guilty Louis feels about his whole situation.<span> </span>It’s a different aspect that what you normally get from vampire novels.</div><div class="MsoNormal">I actually really enjoyed the blog form of this class.<span> </span>I was iffy about it in the beginning, but I came to like having my own blog in a neat little website.<span> </span>It’s preferable to me than having everyone’s posts all mixed together.<span> </span>And I like that you can pick and choose which classmate you want to respond to.<span> </span></div><div class="MsoNormal">Some posters that stuck out to me are Emily and Andrew.<span> </span>I felt their posts were always very well thought out and introduced new ideas to the reading that I had not previously thought of.<span> </span>I enjoyed reading their posts because it made me think, instead of telling me something I already knew.</div>Lindsayhttp://www.blogger.com/profile/06529316419243964825noreply@blogger.com0tag:blogger.com,1999:blog-4131033013843569736.post-51109965616762055682010-12-08T19:29:00.001-08:002010-12-08T19:29:33.967-08:00Let The Right One In; Part 2<!--[if gte mso 9]><xml> <w:WordDocument> <w:View>Normal</w:View> <w:Zoom>0</w:Zoom> <w:TrackMoves/> <w:TrackFormatting/> <w:PunctuationKerning/> <w:ValidateAgainstSchemas/> <w:SaveIfXMLInvalid>false</w:SaveIfXMLInvalid> <w:IgnoreMixedContent>false</w:IgnoreMixedContent> <w:AlwaysShowPlaceholderText>false</w:AlwaysShowPlaceholderText> <w:DoNotPromoteQF/> <w:LidThemeOther>EN-US</w:LidThemeOther> <w:LidThemeAsian>X-NONE</w:LidThemeAsian> <w:LidThemeComplexScript>X-NONE</w:LidThemeComplexScript> <w:Compatibility> <w:BreakWrappedTables/> <w:SnapToGridInCell/> <w:WrapTextWithPunct/> <w:UseAsianBreakRules/> <w:DontGrowAutofit/> <w:SplitPgBreakAndParaMark/> <w:DontVertAlignCellWithSp/> <w:DontBreakConstrainedForcedTables/> <w:DontVertAlignInTxbx/> <w:Word11KerningPairs/> <w:CachedColBalance/> </w:Compatibility> <w:BrowserLevel>MicrosoftInternetExplorer4</w:BrowserLevel> <m:mathPr> <m:mathFont m:val="Cambria Math"/> <m:brkBin m:val="before"/> <m:brkBinSub m:val="--"/> <m:smallFrac m:val="off"/> <m:dispDef/> <m:lMargin m:val="0"/> <m:rMargin m:val="0"/> <m:defJc m:val="centerGroup"/> <m:wrapIndent m:val="1440"/> <m:intLim m:val="subSup"/> <m:naryLim m:val="undOvr"/> </m:mathPr></w:WordDocument> </xml><![endif]--><!--[if gte mso 9]><xml> <w:LatentStyles DefLockedState="false" DefUnhideWhenUsed="true"
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<div class="MsoNormal">Hakan can easily be perceived as the worst character in this novel.<span> </span>He is a pedophile and he kills young boys.<span> </span>In the novel, it states </div><div class="MsoNormal"><br />
</div><div class="MsoNormal"><i>Someone who worked at the post office and who lived in the area had tipped off the other neighbors about what kind of mail, what kind of videos he received.<span> </span>It took about a month before he was fired from his job at the school.<span> </span>You couldn’t have someone like that working with children.<span> </span>[…] He hadn’t actually done anything at the school; he wasn’t that stupid.<span> </span>[…]<span> </span>In his drunken stupor he became careless, fondled young boys, got beaten up, ended up at the police station.<span> </span>Once he sat in jail for three days and puked his guts out. Was released. Kept drinking. </i>(Page 214-215).</div><div class="MsoNormal"><br />
</div><div class="MsoNormal">This portrayal of Hakan paints him as one of the worst types of people, a drunken man who steals a child’s innocence.<span> </span></div><div class="MsoNormal"><br />
</div><div class="MsoNormal">However, he does have some redeemable qualities.<span> </span>He does not kill anyone until after he meets Eli.<span> </span>In this sense it seems like Eli is the one stealing his innocence, instead of the other way around.<span> </span>He actually seems to be resistant to killing people, only doing it because it is what his beloved needs to survive.<span> </span>In his mind, it seems love triumphs all, even morals.</div><div class="MsoNormal"><br />
</div><div class="MsoNormal"><span> </span>He doesn’t see Eli as an object to be used sexually (though he does want that), but instead someone to be cherished and loved.<span> </span>He never made Eli do anything that she/he does not want to do.<span> </span>He will take what he can get from her/him, even if it is just laying next to each other.</div><div class="MsoNormal"><br />
</div><div class="MsoNormal"><i>“Are you . . . hungry?”</i></div><div class="MsoNormal"><i>Eli turned around again.</i></div><div class="MsoNormal"><i>“Yes.”</i></div><div class="MsoNormal"><i>“I’ll do it for you. But I want something in return.”</i></div><div class="MsoNormal"><i>“What is it?”</i></div><div class="MsoNormal"><i>“One night. All I want is one night.”</i></div><div class="MsoNormal"><i>“OK.”</i></div><div class="MsoNormal"><i>“Can I have that?”</i></div><div class="MsoNormal"><i>“Yes.”</i></div><div class="MsoNormal"><i>“Lie next to you? Touch you?”</i></div><div class="MsoNormal"><i>“Yes.”</i> (Page 110)</div><div class="MsoNormal"><br />
</div><div class="MsoNormal">It is interesting that Hakan does not see Eli as he sees other children.<span> </span>He almost looks to her to take care of him, because she got him out of the situation he was in previously; the drunkenness and being taken to the police station.<span> </span></div><div class="MsoNormal"><br />
</div><div class="MsoNormal"><i>One evening when Hakan was sitting on a bench next to a playground with a bottle of half-yeasted wine in a plastic bag, Eli came and sat down beside him.<span> </span>In his drunkenness Hakan had almost immediately put a hand on Eli’s thigh.<span> </span>Eli had let it stay there, taking Hakan’s head between her hands, turned it toward her, and said: “You are going to be with me.”</i></div><div class="MsoNormal"><i>Hakan had mumbled something about how he couldn’t afford such a beauty right now but when his finances allowed . . .</i></div><div class="MsoNormal"><i>Eli had moved his hand from her thigh, leaned down, and taken his wine bottle, poured it out and said: “You don’t understand. You’re going to stop drinking now. You are going to be with me. You are going to help me. I need you. And I’m going to help you.” Then Eli had held out her hand, Hakan had taken it, and they had walked away together.</i> (Page 215)</div><div class="MsoNormal"><br />
</div><div class="MsoNormal">It is almost sad to see this, as we know that Eli is manipulating Hakan using his love for her.<span> </span>She/he knows that Hakan will do anything for her and anything to keep her alive, even if it means taking another person’s life.<span> </span>It seems almost tragic because all he wants is for Eli to love him, yet she doesn’t.<span> </span>She/he is everything he wants, yet he cannot fully have that, and it is apparent to him every day.<span> </span>More so when Oskar enters the picture.<span> </span>Is it really so hard to imagine that one would get jealous in this situation? If you take the ages away, you basically have unrequited love and using someone’s feelings to manipulate them.<span> </span></div>Lindsayhttp://www.blogger.com/profile/06529316419243964825noreply@blogger.com3tag:blogger.com,1999:blog-4131033013843569736.post-37659515326371368632010-12-01T19:57:00.001-08:002010-12-01T19:57:18.838-08:00Let The Right One In<!--[if gte mso 9]><xml> <w:WordDocument> <w:View>Normal</w:View> <w:Zoom>0</w:Zoom> <w:TrackMoves/> <w:TrackFormatting/> <w:PunctuationKerning/> <w:ValidateAgainstSchemas/> <w:SaveIfXMLInvalid>false</w:SaveIfXMLInvalid> <w:IgnoreMixedContent>false</w:IgnoreMixedContent> <w:AlwaysShowPlaceholderText>false</w:AlwaysShowPlaceholderText> <w:DoNotPromoteQF/> <w:LidThemeOther>EN-US</w:LidThemeOther> <w:LidThemeAsian>X-NONE</w:LidThemeAsian> <w:LidThemeComplexScript>X-NONE</w:LidThemeComplexScript> <w:Compatibility> <w:BreakWrappedTables/> <w:SnapToGridInCell/> <w:WrapTextWithPunct/> <w:UseAsianBreakRules/> <w:DontGrowAutofit/> <w:SplitPgBreakAndParaMark/> <w:DontVertAlignCellWithSp/> <w:DontBreakConstrainedForcedTables/> <w:DontVertAlignInTxbx/> <w:Word11KerningPairs/> <w:CachedColBalance/> </w:Compatibility> <w:BrowserLevel>MicrosoftInternetExplorer4</w:BrowserLevel> <m:mathPr> <m:mathFont m:val="Cambria Math"/> <m:brkBin m:val="before"/> <m:brkBinSub m:val="--"/> <m:smallFrac m:val="off"/> <m:dispDef/> <m:lMargin m:val="0"/> <m:rMargin m:val="0"/> <m:defJc m:val="centerGroup"/> <m:wrapIndent m:val="1440"/> <m:intLim m:val="subSup"/> <m:naryLim m:val="undOvr"/> </m:mathPr></w:WordDocument> </xml><![endif]--><!--[if gte mso 9]><xml> <w:LatentStyles DefLockedState="false" DefUnhideWhenUsed="true"
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<div class="MsoNormal"><span> </span>To have a brand new city, means to rob it of any history.<span> </span>Every city had to have a start at some point but it is still strange to think of a completely new area, in a place where nothing was previously.<span> </span>Blackeberg is one such location.<span> </span></div><div class="MsoNormal"><span> </span>The fact that it has no history to it makes it seem like a one dimensional place.<span> </span>There is nothing for children to even learn about the area in which they live.<span> </span>“At school, the children didn’t get to do any special projects on Blackeberg’s history because there wasn’t one.<span> </span>That is to say, there was something about an old mill.<span> </span>A tobacco king.<span> </span>Some strange old buildings down by the water.<span> </span>But that was a long time ago and without any connection to the present.” (Page 2).<span> </span>The way the city is described is even one dimensional.<span> </span>It seems like it could be any city, anywhere.<span> </span>There is nothing that makes it special, or makes it stand out.<span> </span>“There was a town center. <span> </span>There were spacious playgrounds allotted to children.<span> </span>Large green spaces around the corner.<span> </span>There were many pedestrian only walking paths.” (Page 2).<span> </span>The fact that there are no special features about this area makes it seem that it could really be anywhere.<span> </span>And that the events that happened here could happen anywhere.<span> </span></div><div class="MsoNormal"><span> </span>It seems that Lindqvist is making a statement about how the modernity of a place is less than desirable.<span> </span>It robs a place of character.<span> </span>The fact that the events of this book happened here, instead of somewhere else, also makes a point on how a modern place is undesirable.<span> </span>“It explains in part how unprepared they were.” (Page2).<span> </span>It seems that the author is saying that because something is new, we as a society have a hard time believing that anything bad would happen there.<span> </span>However, this is never the case, because bad things happen everywhere, indiscriminately.</div><div class="MsoNormal" style="text-indent: 0.5in;">It seems worthwhile to note that Eli also seems without a past.<span> </span>She just appeared next door to Oskar one day, without even indication that she lived there.<span> </span>“Five surnames neatly spelled out in plastic letters.<span> </span>One live was empty.<span> </span>The name that had stood there before, HELLBERG, had been there so long you could real it from the dark contours left against a sun-bleached background.<span> </span>But no new letters, not even a note.” (Page 46).<span> </span>It’s interesting that we have two things without a past.<span> </span>The town, and Eli herself.<span> </span>We even know some of the past of Hakan, or at least a hint of it.<span> </span>“That was one of the things that had gone wrong in Norrkoping. <span> </span>Someone had remembered the brand name on the bag, and then the police had found it in the garbage container where he had tossed it, not far from their apartment.” (Page 12). <span> </span>However, instead of being one dimensional like the town, Eli is full of mystery.<span> </span>We want to know where she is from, what happened to her, her past, etc.<span> </span>The flat town seems a perfect setting for her character, as it makes her more mysterious than if it had been in a town rich with history.</div>Lindsayhttp://www.blogger.com/profile/06529316419243964825noreply@blogger.com5tag:blogger.com,1999:blog-4131033013843569736.post-90456446286592512972010-11-24T15:17:00.000-08:002010-11-24T15:17:56.459-08:00Final Project ProposalDuring this semester, we have explored many different forms of the Vampire. However, through many of the novels that we have read, there contains a sexual connotation from drinking the blood of another. The exchange of fluids, if you will. We see this in great amounts in Dracula and in Interview With The Vampire, so these will be the two novels that I will be focusing on. This also goes along with popular culture and why we, as a society, find vampires so alluring and sensual. For my final project, I'm going to write a critical paper exploring these things.<br />
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</a></h1>Lindsayhttp://www.blogger.com/profile/06529316419243964825noreply@blogger.com3tag:blogger.com,1999:blog-4131033013843569736.post-54993336960177642772010-11-17T20:52:00.001-08:002010-11-17T20:52:24.462-08:00Interview with the Vampire.<!--[if gte mso 9]><xml> <w:WordDocument> <w:View>Normal</w:View> <w:Zoom>0</w:Zoom> <w:TrackMoves/> <w:TrackFormatting/> <w:PunctuationKerning/> <w:ValidateAgainstSchemas/> <w:SaveIfXMLInvalid>false</w:SaveIfXMLInvalid> <w:IgnoreMixedContent>false</w:IgnoreMixedContent> <w:AlwaysShowPlaceholderText>false</w:AlwaysShowPlaceholderText> <w:DoNotPromoteQF/> <w:LidThemeOther>EN-US</w:LidThemeOther> <w:LidThemeAsian>X-NONE</w:LidThemeAsian> <w:LidThemeComplexScript>X-NONE</w:LidThemeComplexScript> <w:Compatibility> <w:BreakWrappedTables/> <w:SnapToGridInCell/> <w:WrapTextWithPunct/> <w:UseAsianBreakRules/> <w:DontGrowAutofit/> <w:SplitPgBreakAndParaMark/> <w:DontVertAlignCellWithSp/> <w:DontBreakConstrainedForcedTables/> <w:DontVertAlignInTxbx/> <w:Word11KerningPairs/> <w:CachedColBalance/> </w:Compatibility> <w:BrowserLevel>MicrosoftInternetExplorer4</w:BrowserLevel> <m:mathPr> <m:mathFont m:val="Cambria Math"/> <m:brkBin m:val="before"/> <m:brkBinSub m:val="--"/> <m:smallFrac m:val="off"/> <m:dispDef/> <m:lMargin m:val="0"/> <m:rMargin m:val="0"/> <m:defJc m:val="centerGroup"/> <m:wrapIndent m:val="1440"/> <m:intLim m:val="subSup"/> <m:naryLim m:val="undOvr"/> </m:mathPr></w:WordDocument> </xml><![endif]--><!--[if gte mso 9]><xml> <w:LatentStyles DefLockedState="false" DefUnhideWhenUsed="true"
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<div class="MsoNoSpacing" style="line-height: 150%; text-indent: 0.5in;">In the Théâtre de Vampires, we as the reader (and also the audience) are placed in a voyeuristic position throughout the entire performance.<span> </span>We are shown an actual death, though the audience besides Louis and Claudia think it is acting.<span> </span>In general, we think death to be a private thing, ideally in a warm bed surrounded by everyone that we love.<span> </span>However, in this theater they make it a public event.<span> </span>We set our eyes on this act and know what is happening and that her fears and pleas for her life are real.<span> </span>This knowledge of ours makes the act more personal, and much more horrifying than for the humans seated in the audience.<span> </span></div><div class="MsoNoSpacing" style="line-height: 150%; text-indent: 0.5in;">Another way to look at this as not just death, but sexual defloweration.<span> </span>In my posts about Dracula I mentioned how the Count taking the blood of Lucy and Mina could be seen as a sexual encounter; an exchange of fluids.<span> </span>She is implied to be a virgin “The soil on her mean blouse and skirt was not stage paint, and nothing had touched her perfect face, which gazed into the light now, as beautiful and finely chiseled as the face of a marble Virgin, that hair her haloed veil.” (Page 217).<span> </span>Even the first bit on her neck was written in a very sensual way.<span> </span>“And now, turning her slowly to the side so that they could all see her serene face, he was lifting her, her back arching as her naked breasts touched his buttons, her pale arms enfolded his neck.<span> </span>She stiffened, cried out as he sank his teeth, and her face was still as the dark theater reverberated with shared passion.<span> </span>His white hand shone on her florid buttocks, her hair dusting it, stroking it.<span> </span>He lifted her off the boards as he drank, he throat gleaming against his white cheek” (Page 222).</div><div class="MsoNoSpacing" style="line-height: 150%; text-indent: 0.5in;">It’s interesting how we see her progress through several stages of dying throughout this short performance.<span> </span>She starts with disbelief, stating “ ‘No,’ she protested in disbelief. ‘I have so many years, so many. . . .’ “ (Page 219).<span> </span>Then she starts to bargain for her life.<span> </span>Saying that she does not care that she will grow old and gray.<span> </span>“ ‘Let me live, please,’ she begged, her face turning away from him. ‘I don’t care . . . I don’t care!’ “ (Page 220).<span> </span>She then slides into an acceptance of her fate (even though the vampire dazed her).<span> </span></div>Lindsayhttp://www.blogger.com/profile/06529316419243964825noreply@blogger.com3tag:blogger.com,1999:blog-4131033013843569736.post-18929844910290907942010-11-12T20:22:00.000-08:002010-11-12T20:56:11.932-08:00Online Artifact<div align="center" class="MsoNormal" style="line-height: normal; text-align: center;">Online Artifact</div><div align="center" class="MsoNormal" style="line-height: normal; text-align: center;">Lindsay Brown</div><div class="MsoNormal" style="line-height: 200%;"><br />
</div><div class="MsoNormal" style="line-height: 200%;">My online artifact: <a href="http://www.queerhorror.com/Qvamp/articles/iwav.html">http://www.queerhorror.com/Qvamp/articles/iwav.html</a></div><div class="MsoNormal" style="line-height: 200%;"> This blog post deals with the queer relationships between the vampires of Anne Rice’s chronicles. It also mentions how these vampires are different from the classic vampire. For this paper, however, I will be focusing on the relationship between Louis and Lestat.</div><div class="MsoNormal" style="line-height: 200%;"> This blog states that these books are often referred to as the turning point from a traditional view of vampires to a more modern view. Instead of reading about a hairy vampire in an old castle, we are reading about young looking vampires that are sensual and attractive to us. This book also gives us a different perspective of a vampire. Looking at Count Dracula, he was something to be feared and destroyed. However, the vampires in this novel almost draw out our sympathy towards them. For example when Louis is talking about his brother’s death while he was still human he says “I could not forgive myself. I felt responsible for his death.” (Page 9). Even this little statement has us feeling pity for Louis and his past mistakes. The fact that it is written in such a way that we get to hear the first-hand account of what happened to Louis and how his life thus far has been helps us to feel this way about the vampire. We are almost taking this journey with him, and feeling what he feels. It’s a much more intimate view of the vampire, instead of it being off in some other country away from us, it is actually here. Vampires could actually be someone you interact with, without knowing so. Also different about Louis is the fact that he does not take death lightly. “I never laugh at death, no matter how often and regularly I am the cause of it.” (Page 16). This isn’t just a break from traditional vampires, like Dracula, but also a break from other vampires in this novel. Lestat actually takes death very lightly, laughing about it. “Lestat was laughing, telling me callously that I would feel so different once I was a vampire that I would laugh, too.” (Page 16). I think it’s interesting that even though in most of the vampire novels that we’ve read death is taken lightly by the ones that are killing, Louis is a vast departure from this way of taking death lightly. I think it stems from the fact that Louis felt so responsible for his brother’s death, and the fact that his depression about it defined the rest of his human life.</div><div class="MsoNormal" style="line-height: 200%;"> As in other novels, the act of drinking blood is a very sensual act. This blog states “While they are capable of sexual acts, it is no longer important to them.” We’ve seen this in Lucy’s transformation in Dracula, and we see it in Louis’ transformation in Interview With The Vampire. When Louis is telling of Lestat drinking his blood, he says “I remember that the movement of his lips raised the hair all over my body, sent a shock of sensation through my body that was not unlike the pleasure of passion . . .” (Page 19). This can be seen as Lestat really taking over Louis, and it obviously has a sexual connotation attached to it. It can be easily seen as the vampires having sexual intercourse, just as Dracula’s visits to Lucy to drain her blood can be seen as sexual intercourse as well. </div><div class="MsoNormal" style="line-height: 200%;"> The way that Louis also drinks Lestat’s blood also is seen to be sexual. “I drank, sucking the blood out of the holes, experiencing for the first time since infancy the special pleasure of sucking nourishment, the body focused with the mind upon one vital source.” (Page 20). Louis also says “…Lestat pulled his wrist free suddenly, and I opened my eyes and checked myself in a moment of reaching for his wrist, grabbing it, and forcing it back into my mouth at all costs” (Page 20). This passage shows the draw of Lestat’s blood to Louis. Even though he does stop himself from drinking more of Lestat’s blood, its draw is still evident in the fact that he had to stop himself from drinking more in the first place.</div><div class="MsoNormal" style="line-height: 200%;"> Another moment showing the queer relationship between Louis and Lestat is when they have to sleep in the same coffin. “‘Now I’m getting into the coffin,’ he finally said to me in his most disdainful tone, ‘and you will get in on top of me if you know what’s good for you.’ And I did. I lay face down on him, utterly confused by my absence of dread and filled with a distaste for being so close to him, handsome and intriguing as though he was. And he shut the lid.” (Page 25). It’s interesting that Louis is disgusted to be so close to Lestat, especially after how Louis felt while drinking Lestat’s blood. Though, in this scene of the book, there is no blood drinking or other sexual connotations. I think this shows that although Louis is sexually attracted to Lestat (shown in the way that he did not want to stop sucking his blood), he is not interested in him romantically past that point. This can be shown when Louis says “The thing that became apparent to me, even while Lestat and I were loading the coffin into a hearse and stealing another coffin from a mortuary, was that I did not like Lestat at all. I was far from being his equal yet, but I was indefinitely closer to him than I had been before the death of my body. […] But before I died, Lestat was absolutely the most overwhelming experience I’d ever had.” (page 25). When reading this quote, it seems that Louis was in love with Lestat (at least, was mesmerized by him) when he was human. However, when he turned into a vampire Lestat lost his appeal. This would fit, because when Louis was drinking Lestat’s blood and feeling sexually towards him<span style="font-family: "Calibri","sans-serif"; font-size: 11pt; line-height: 115%;"><span></span></span><span style="font-family: "Calibri","sans-serif"; font-size: 11pt; line-height: 115%;"></span>, he was still human. <br />
<br />
Sources :<br />
Rice, Anne. <i>Interview With The Vampire. </i>New York: Ballantine Books, n.d. Print.<br />
http://www.queerhorror.com/Qvamp/articles/iwav.html<pre> </pre></div>Lindsayhttp://www.blogger.com/profile/06529316419243964825noreply@blogger.com0tag:blogger.com,1999:blog-4131033013843569736.post-29461027083878788262010-11-03T20:51:00.000-07:002010-11-03T20:51:00.022-07:00Women in I Am Legend<!--[if gte mso 9]><xml> <w:WordDocument> <w:View>Normal</w:View> <w:Zoom>0</w:Zoom> <w:TrackMoves/> <w:TrackFormatting/> <w:PunctuationKerning/> <w:ValidateAgainstSchemas/> <w:SaveIfXMLInvalid>false</w:SaveIfXMLInvalid> <w:IgnoreMixedContent>false</w:IgnoreMixedContent> <w:AlwaysShowPlaceholderText>false</w:AlwaysShowPlaceholderText> <w:DoNotPromoteQF/> <w:LidThemeOther>EN-US</w:LidThemeOther> <w:LidThemeAsian>X-NONE</w:LidThemeAsian> <w:LidThemeComplexScript>X-NONE</w:LidThemeComplexScript> <w:Compatibility> <w:BreakWrappedTables/> <w:SnapToGridInCell/> <w:WrapTextWithPunct/> <w:UseAsianBreakRules/> <w:DontGrowAutofit/> <w:SplitPgBreakAndParaMark/> <w:DontVertAlignCellWithSp/> <w:DontBreakConstrainedForcedTables/> <w:DontVertAlignInTxbx/> <w:Word11KerningPairs/> <w:CachedColBalance/> </w:Compatibility> <w:BrowserLevel>MicrosoftInternetExplorer4</w:BrowserLevel> <m:mathPr> <m:mathFont m:val="Cambria Math"/> <m:brkBin m:val="before"/> <m:brkBinSub m:val="--"/> <m:smallFrac m:val="off"/> <m:dispDef/> <m:lMargin m:val="0"/> <m:rMargin m:val="0"/> <m:defJc m:val="centerGroup"/> <m:wrapIndent m:val="1440"/> <m:intLim m:val="subSup"/> <m:naryLim m:val="undOvr"/> </m:mathPr></w:WordDocument> </xml><![endif]--><!--[if gte mso 9]><xml> <w:LatentStyles DefLockedState="false" DefUnhideWhenUsed="true"
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<div class="MsoNormal"><span> </span>In the beginning of this novel, women were viewed only as objects.<span> </span>They were used to appeal to Robert’s lust, and to make him leave his house.<span> </span>They did this by striking lewd poses when they knew he was looking out at them.<span> </span>This worked to awaken his lust, but he did not go out to them.<span> </span>This can be traced back to the racial themes of the book, in the fact that he did not want his blood to come into contact with the vampire’s blood because he felt that he would become contaminated by them.<span> </span>The fact that he viewed the women as objects, and not people anymore made it easier for him to kill them, because he did not view them to be the same as he was.<span> </span>This also can be traced to the racial themes of this book.</div><div class="MsoNormal"><br />
</div><div class="MsoNormal"><span> </span>Later in the novel, he performs experiments on the vampires.<span> </span>However, all the vampires that he experiments on happen to be women.<span> </span>They seem to be more like lab mice than anything.<span> </span>Only good if they serve his purpose, otherwise he has no problems in killing them.<span> </span>They’re just experiments, not people, or even living things to him.<span> </span>He rationalizes killing them by telling himself that they would have killed him, given the chance.<span> </span></div><div class="MsoNormal"><br />
</div><div class="MsoNormal"><span> </span>Robert, however, does have a strong desire for a companion.<span> </span>This is where Ruth comes in.<span> </span>He is drawn to her because he believes her to be another human like him, and<span> </span>chases her down.<span> </span>The fact that he goes through such lengths to get to her shows us how desperate he is for someone, anyone else to talk to and to be with.<span> </span>Though the idea of being with her frightens her and he tells himself it would be easier if she was one of them. <span> </span>“But what if she were free of bacillus? In a way, that was a more nerve-racking possibility.<span> </span>The other way he would merely go on as before, breaking neither schedule now standards.<span> </span>But if she stayed, if they had to establish a relationship, perhaps become husband and wife, have children . . . Yes, that was more terrifying.” (Page 139)<span> </span></div><div class="MsoNormal"><br />
</div><div class="MsoNormal" style="text-indent: 0.5in;">Later he thinks, “Shall I kill her now? Shall I not even investigate, but kill her and burn her?” (Page 140).<span> </span>It’s interesting to be that he seems that he would rather keep viewing the women as he had been, as objects.<span> </span>They are easy to dispose of because they don’t have any meaning to him.<span> </span>He is scared of having responsibility again, and by making Ruth into one of them in his mind (and thus making her into and object that is okay to kill), he tries to rid himself of any responsibility that he might have if it turns out that she is not infected.<span> </span></div>Lindsayhttp://www.blogger.com/profile/06529316419243964825noreply@blogger.com2tag:blogger.com,1999:blog-4131033013843569736.post-21286733013961004682010-10-29T19:30:00.001-07:002010-10-29T19:30:48.243-07:00Literary Criticism<!--[if gte mso 9]><xml> <w:WordDocument> <w:View>Normal</w:View> <w:Zoom>0</w:Zoom> <w:TrackMoves/> <w:TrackFormatting/> <w:PunctuationKerning/> <w:ValidateAgainstSchemas/> <w:SaveIfXMLInvalid>false</w:SaveIfXMLInvalid> <w:IgnoreMixedContent>false</w:IgnoreMixedContent> <w:AlwaysShowPlaceholderText>false</w:AlwaysShowPlaceholderText> <w:DoNotPromoteQF/> <w:LidThemeOther>EN-US</w:LidThemeOther> <w:LidThemeAsian>X-NONE</w:LidThemeAsian> <w:LidThemeComplexScript>X-NONE</w:LidThemeComplexScript> <w:Compatibility> <w:BreakWrappedTables/> <w:SnapToGridInCell/> <w:WrapTextWithPunct/> <w:UseAsianBreakRules/> <w:DontGrowAutofit/> <w:SplitPgBreakAndParaMark/> <w:DontVertAlignCellWithSp/> <w:DontBreakConstrainedForcedTables/> <w:DontVertAlignInTxbx/> <w:Word11KerningPairs/> <w:CachedColBalance/> </w:Compatibility> <w:BrowserLevel>MicrosoftInternetExplorer4</w:BrowserLevel> <m:mathPr> <m:mathFont m:val="Cambria Math"/> <m:brkBin m:val="before"/> <m:brkBinSub m:val="--"/> <m:smallFrac m:val="off"/> <m:dispDef/> <m:lMargin m:val="0"/> <m:rMargin m:val="0"/> <m:defJc m:val="centerGroup"/> <m:wrapIndent m:val="1440"/> <m:intLim m:val="subSup"/> <m:naryLim m:val="undOvr"/> </m:mathPr></w:WordDocument> </xml><![endif]--><!--[if gte mso 9]><xml> <w:LatentStyles DefLockedState="false" DefUnhideWhenUsed="true"
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<div class="MsoNoSpacing" style="line-height: 200%; text-indent: 0.5in;"><span style="font-family: "Tahoma","sans-serif"; font-size: 12pt; line-height: 200%;">In Dr. Kathy Davis Patterson’s essay about I Am Legend, the key point is the fact that in the novel there are very clear racial undertones.<span> </span>She brings up the fact that I Am Legend was actually written the same year that the Supreme Court decided that segregated was unlawful.<span> </span>She also brings up the fact that vampires in various novels (She uses the Count in Dracula as an example) often reflect whatever social turmoil happens to be occurring in the time period.<span> </span>The fact that at the time of this book’s publishing white people were just adjusting to the new idea that African Americans were going to be interacting with them in everyday life, may have lent to the racial undertones.<span> </span>Dr. Patterson sees the vampires as being black, because they are seen as ‘invading’ society (portrayed as Robert Neville) as it was known.<span> </span>It is essentially two cultures shown at war with each other, one doing whatever is possible to keep the other out and the other trying to overtake and destroy the other.<span> </span></span></div><div class="MsoNoSpacing" style="line-height: 200%;"><span style="font-family: "Tahoma","sans-serif"; font-size: 12pt; line-height: 200%;"><span> </span>It’s interesting to read the story while being aware of the racial undertones.<span> </span>The fact that Robert is avoiding the vampires as much as he can takes on more meaning that just survival.<span> </span>It begins to be viewed as white society avoiding the black society, and perhaps viewing them as a necessary evil.<span> </span></span></div><div class="MsoNoSpacing" style="line-height: 200%;"><span style="font-family: "Tahoma","sans-serif"; font-size: 12pt; line-height: 200%;"><span> </span>In one passage of her essay, Dr. Patterson talks about how the vampires are seen as the “threatening Other” (Patterson).<span> </span>She says “Thanks largely to the lasting impact of slavery and its attendant prejudices, the black African in this context is constructed as a monstrous Other that threatens the dominant society” (Patterson).<span> </span>This passage is significant because it explains why the racial tone of this book is the way it is.<span> </span>White society was threatened because, in a way, their way of living was over.<span> </span>Slavery was abolished, and segregation was unlawful.<span> </span>Everything they had been told about black people being less than people had to be reversed and they had to accept them into their society.<span> </span>Their fears definitely play out in how the vampires keep attacking Robert Neville’s house, and demanding to be let in. <span> </span></span></div><div class="MsoNoSpacing" style="line-height: 200%;"><span style="font-family: "Tahoma","sans-serif"; font-size: 12pt; line-height: 200%;"><span> </span>Another interesting passage in this essay is the one in which Dr. Patterson talks about the ways that vampires attempt to invade Robert’s space.<span> </span>She mentions violence, but “The most dangerously effective strategy, however, is sex. Female vampires can rouse Neville’s lust with ease” (Patterson).<span> </span>Though he feels lust towards them, he refuses to act upon his desires.<span> </span>It reflects how people felt about interracial couples at the time, and how they still somewhat feel today.<span> </span>It was unheard of to date someone of another race, and even now interracial couples are rare.<span> </span>She goes on to say “For Neville, mating with a vampire would involve the penetration of his body not only by vampire fangs, but by the bacteria vampires carry. In his world of strict binaries, this type of mixing is a possibility he refuses to allow. His blood remains uncontaminated and he is determined to keep it that way” (Patterson).<span> </span>The fact that having sexual relations with a vampire would contaminate him also shows the feelings of white society at the time.<span> </span>They did not want to be contaminated by people of another race.<span> </span>It also shows how white society viewed themselves as ‘pure’ while everyone of a different race was ‘contaminated’.<span> </span>This is also show later in the essay <span> </span>“In Neville’s worldview, hybrid blood equals contaminated blood. His obsessive studies of blood and his efforts to identify, prevent, and possibly cure blood contamination reflect a desperate desire to restore homogeneity and, with it, a social order that he recognizes.”<span> </span>(Patterson).<span> </span>As she says, this is a desperate attempt to preserve the society as it once was, before it was introduced to vampires.<span> </span>It’s interesting how far people will go to bring back something they recognize, so they feel safer.</span></div><div class="MsoNoSpacing" style="line-height: 200%;"><span style="font-family: "Tahoma","sans-serif"; font-size: 12pt; line-height: 200%;"><span> </span>Another passage focuses on the way the Robert violates the female vampires.<span> </span>She points out that although Robert kills them, he does not sexually violate them in the traditional way.<span> </span>However, the fact that he stakes the vampires carries a sexual tone.<span> </span>“The phallicism of the stake, however, ensures that the sexual connotation remains.”<span> </span>(Patterson).</span><span> </span><span style="font-family: "Tahoma","sans-serif"; font-size: 12pt; line-height: 200%;"><span> </span>She says “The Otherness of these women precludes their suitability as sexual partners and marks them as perceived threats to Neville’s life, to the sanctity of both his body and his home. As such, they become expendable.” (Patterson).<span> </span>It’s interesting that because if something is viewed as a threat to us, we find it alright to kill it.<span> </span>This can even be seen today in the issue of self defense.<span> </span>If we feel threatened by someone and do something to defend ourselves, it is seen as acceptable in our society.<span> </span>Even if defending ourselves mean killing another.<span> </span>This brings the interesting question of when it is acceptable to end another human life.<span> </span>Apparently, it is okay when we feel threatened, but what of racial crimes of our society’s past?<span> </span>The white society felt threatened, and sought to eliminate that threat.<span> </span>However, this was seen as wrong.<span> </span>Since it was an elimination of a threat, what distinguishes this from a self defense from, say, a murderer coming in the night? <span> </span>The vampires were considered a threat to Robert, and he kills them.<span> </span>In the same passage, Dr. Patterson includes this quote from the book “Usually he felt a twinge when he realized, <span>but for some affliction he didn't understand, these people were the same as he</span>.” (Page 39).<span> </span>He is able to look past the differences and actually realize that basically, they were the same.<span> </span>However this does not stop him from killing the vampires. <span> </span>It is saying something though, that he was able to see them as the same as himself.<span> </span></span></div><div class="MsoNoSpacing" style="line-height: 200%;"><span style="font-family: "Tahoma","sans-serif"; font-size: 12pt; line-height: 200%;"><span> </span>As a whole, I do agree with Dr. Patterson about the racial subtext of I Am Legend.<span> </span>It’s easy to see how the vampires and Robert are seen as different races, and their differences basically facilitate all the conflict between them in the novel.</span></div><div class="MsoNoSpacing" style="line-height: 200%;"><br />
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</span></div><div class="MsoNoSpacing" style="line-height: 200%;"><b><span style="font-family: "Tahoma","sans-serif"; font-size: 12pt; line-height: 200%;">Works Cited</span></b></div><div class="MsoNormal"><span style="font-family: "Tahoma","sans-serif";">Echoes of <i>Dracula</i>: Racial Politics and the Failure of Segregated Spaces in Richard Matheson’s <i>I Am Legend</i>.<span> </span>By </span><span style="font-family: "Tahoma","sans-serif";">Dr. Kathy Davis Patterson</span></div><div class="MsoNormal"><br />
</div><div class="MsoNormal"><span style="font-family: "Tahoma","sans-serif";">Matheson, Richard. <i>I Am Legend</i>. New York: Tom Doherty Associates, LLC, 1995. Print.<span></span></span></div>Lindsayhttp://www.blogger.com/profile/06529316419243964825noreply@blogger.com1tag:blogger.com,1999:blog-4131033013843569736.post-69936548474973191862010-10-20T19:48:00.001-07:002010-10-20T19:48:28.029-07:00Dracula 2<!--[if gte mso 9]><xml> <w:WordDocument> <w:View>Normal</w:View> <w:Zoom>0</w:Zoom> <w:TrackMoves/> <w:TrackFormatting/> <w:PunctuationKerning/> <w:ValidateAgainstSchemas/> <w:SaveIfXMLInvalid>false</w:SaveIfXMLInvalid> <w:IgnoreMixedContent>false</w:IgnoreMixedContent> <w:AlwaysShowPlaceholderText>false</w:AlwaysShowPlaceholderText> <w:DoNotPromoteQF/> <w:LidThemeOther>EN-US</w:LidThemeOther> <w:LidThemeAsian>X-NONE</w:LidThemeAsian> <w:LidThemeComplexScript>X-NONE</w:LidThemeComplexScript> <w:Compatibility> <w:BreakWrappedTables/> <w:SnapToGridInCell/> <w:WrapTextWithPunct/> <w:UseAsianBreakRules/> <w:DontGrowAutofit/> <w:SplitPgBreakAndParaMark/> <w:DontVertAlignCellWithSp/> <w:DontBreakConstrainedForcedTables/> <w:DontVertAlignInTxbx/> <w:Word11KerningPairs/> <w:CachedColBalance/> </w:Compatibility> <w:BrowserLevel>MicrosoftInternetExplorer4</w:BrowserLevel> <m:mathPr> <m:mathFont m:val="Cambria Math"/> <m:brkBin m:val="before"/> <m:brkBinSub m:val="--"/> <m:smallFrac m:val="off"/> <m:dispDef/> <m:lMargin m:val="0"/> <m:rMargin m:val="0"/> <m:defJc m:val="centerGroup"/> <m:wrapIndent m:val="1440"/> <m:intLim m:val="subSup"/> <m:naryLim m:val="undOvr"/> </m:mathPr></w:WordDocument> </xml><![endif]--><!--[if gte mso 9]><xml> <w:LatentStyles DefLockedState="false" DefUnhideWhenUsed="true"
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<div class="MsoNormal">Following my last blog post, I have decided to write about Mina’s journey into vampirism and how it is similar and different to Lucy’s.</div><div class="MsoNormal"><br />
</div><div class="MsoNormal">Dracula first visits Mina when she is staying alone.<span> </span>It is kind of ironic that he visits her then, since the men are away.<span> </span>It seems that Dracula is taunting the men and their inability thus far to destroy him.<span> </span>Mine, however, is clueless to what is happening to her.<span> </span>“The gas-light which I had left lit for Jonathan, but turned down, came only like a tiny red spark through the fog, which had evidently grown thicker and poured into the room.<span> </span>Then it occurred to me that I had shut the window before I had come to bed.<span> </span>I would have gotten out to make certain on the point, but some leaden lethargy seemed to chain my limbs, and even my will.” (page 227).</div><div class="MsoNormal">She believes this meeting to be only a dream, though she does after some time realize that she is “dreaming” of Dracula.<span> </span></div><div class="MsoNormal"><br />
</div><div class="MsoNormal">It is evident that Dracula has been draining the blood from Mina, because she wakes up so weak.<span> </span>Renfield even commented on it.<span> </span>“I don’t care for pale people; I like them with lots of blood in them, and hers had all seemed to have run out.<span> </span>I didn’t think of it at the time; but when she went away I began to think, and it made me mad to know that He had been taking the life out of her” (page 245)</div><div class="MsoNormal"><br />
</div><div class="MsoNormal">Mina’s relationship with Dracula seems to be more intense than Lucy’s ever was.<span> </span>Lucy was just used, and he blood taken.<span> </span>However Mina actually gets into the act as well, drinking Dracula’s blood too.. even though it seems like it was forced on her.<span> </span>After the fact, she is very upset and calls herself unclean and says that she should not be able to touch her husband any longer.</div><div class="MsoNormal"><br />
</div><div class="MsoNormal">It’s interesting that Mina was so much more connected to Dracula than Lucy was. It seems to me to go back to the fact that Dracula is taunting the men.<span> </span>This is especially clear because in the scene where Mina is drinking Dracula’s blood, Jonathan is lying helpless nearby.<span> </span>The men in this book seem very protective of Mina, for example, they don’t let her know of the progress of their mission is, and don’t tell her any details relating to Dracula.<span> </span>This actually works in perfect favor to Dracula, who is able to manipulate her without her knowing the details of him.<span> </span></div>Lindsayhttp://www.blogger.com/profile/06529316419243964825noreply@blogger.com2tag:blogger.com,1999:blog-4131033013843569736.post-79406976801849961122010-10-13T20:41:00.000-07:002010-10-13T20:41:09.440-07:00Dracula<!--[if gte mso 9]><xml> <w:WordDocument> <w:View>Normal</w:View> <w:Zoom>0</w:Zoom> <w:TrackMoves/> <w:TrackFormatting/> <w:PunctuationKerning/> <w:ValidateAgainstSchemas/> <w:SaveIfXMLInvalid>false</w:SaveIfXMLInvalid> <w:IgnoreMixedContent>false</w:IgnoreMixedContent> <w:AlwaysShowPlaceholderText>false</w:AlwaysShowPlaceholderText> <w:DoNotPromoteQF/> <w:LidThemeOther>EN-US</w:LidThemeOther> <w:LidThemeAsian>X-NONE</w:LidThemeAsian> <w:LidThemeComplexScript>X-NONE</w:LidThemeComplexScript> <w:Compatibility> <w:BreakWrappedTables/> <w:SnapToGridInCell/> <w:WrapTextWithPunct/> <w:UseAsianBreakRules/> <w:DontGrowAutofit/> <w:SplitPgBreakAndParaMark/> <w:DontVertAlignCellWithSp/> <w:DontBreakConstrainedForcedTables/> <w:DontVertAlignInTxbx/> <w:Word11KerningPairs/> <w:CachedColBalance/> </w:Compatibility> <w:BrowserLevel>MicrosoftInternetExplorer4</w:BrowserLevel> <m:mathPr> <m:mathFont m:val="Cambria Math"/> <m:brkBin m:val="before"/> <m:brkBinSub m:val="--"/> <m:smallFrac m:val="off"/> <m:dispDef/> <m:lMargin m:val="0"/> <m:rMargin m:val="0"/> <m:defJc m:val="centerGroup"/> <m:wrapIndent m:val="1440"/> <m:intLim m:val="subSup"/> <m:naryLim m:val="undOvr"/> </m:mathPr></w:WordDocument> </xml><![endif]--><!--[if gte mso 9]><xml> <w:LatentStyles DefLockedState="false" DefUnhideWhenUsed="true"
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<div class="MsoNormal">There are two radically different types of female characters represented in Dracula.<span> </span>One type represents everything that the ideal Victorian woman should be which essentially is virginal.<span> </span>The other is the polar opposite, not virginal but also not sexually committed to anyone, which is frowned upon in Victorian times. This difference in female characters is especially interesting being Lucky starts to turn into the latter.</div><div class="MsoNormal"><br />
</div><div class="MsoNormal">The brides of Dracula are described as beautiful women.<span> </span>“All three had brilliant white teeth, that shone like pearls against the ruby of their voluptuous lips. <span> </span>There was something about them that made me uneasy, some longing and at the same time some deadly fear.<span> </span>I felt in my heart a wicked, burning desire that they would kiss me with those red lips.” (Page 42).<span> </span>These brides are the definition of vixens, sexually attractive to entice humans into letting the brides ‘kiss’ them, or bite them.</div><div class="MsoNormal"><br />
</div><div class="MsoNormal">Mina and Lucy are displayed as proper virginal Victorian ladies.<span> </span>Mina’s job even follows this description, as the note at the bottom on the page states “Mina is a working woman, but not, in the 1890s, and improper one.” (Page 55).<span> </span>However, she differs from traditional Victorian women by the simple fact that she does work.<span> </span>She even intends to help Jonathan by studying shorthand. <span> </span>Lucy doesn’t have a job, and thus fits the traditional stereotype more than Mina does.<span> </span>She talks extensively about the people she has met and how deeply she is in love.<span> </span></div><div class="MsoNormal"><br />
</div><div class="MsoNormal">Lucy’s journey through this book is interesting, starting out as a woman who by all accounts seems well cared for and fits perfectly into the traditional Victorian role of women.<span> </span>This starts to change, however, when her sickness begins.<span> </span>She starts sleepwalking, and shortly after begins to have wounds on her neck.<span> </span>Mina is the first to notice these wounds, saying “I must have pinched up a piece of loose skin and have transfixed it, for there are two little red points like pinpricks, and on the band of her nightdress was a drop of blood.” (Page 89).</div><div class="MsoNormal"><br />
</div><div class="MsoNormal">As Lucy’s sickness continues, it becomes apparent how much blood she is losing.<span> </span>The audience does not know this yet, but ever time her blood is lost (by Dracula taking it) she steps closer and closer to becoming her opposite.<span> </span>The sucking of her blood can also be seen as a sexual act, thus making her not a ‘proper’ Victorian woman anymore.<span> </span>The fact that she also receives transfusions from three different men also carries a sexual theme, as stated on Colleen’s blog.<span> </span>This further disintegrates her character, as it implies that she has sex with all three men, making her more like Dracula’s brides than what she was previously.</div><div class="MsoNormal"><br />
</div><div class="MsoNormal">This culminates in Lucy dying and actually turning into the vixen that her character has become, ending her journey.<span> </span></div>Lindsayhttp://www.blogger.com/profile/06529316419243964825noreply@blogger.com4tag:blogger.com,1999:blog-4131033013843569736.post-17116244467337633242010-09-29T18:51:00.000-07:002010-09-29T18:51:21.770-07:00Solitary Locations<!--[if gte mso 9]><xml> <w:WordDocument> <w:View>Normal</w:View> <w:Zoom>0</w:Zoom> <w:TrackMoves/> <w:TrackFormatting/> <w:PunctuationKerning/> <w:ValidateAgainstSchemas/> <w:SaveIfXMLInvalid>false</w:SaveIfXMLInvalid> <w:IgnoreMixedContent>false</w:IgnoreMixedContent> <w:AlwaysShowPlaceholderText>false</w:AlwaysShowPlaceholderText> <w:DoNotPromoteQF/> <w:LidThemeOther>EN-US</w:LidThemeOther> <w:LidThemeAsian>X-NONE</w:LidThemeAsian> <w:LidThemeComplexScript>X-NONE</w:LidThemeComplexScript> <w:Compatibility> <w:BreakWrappedTables/> <w:SnapToGridInCell/> <w:WrapTextWithPunct/> <w:UseAsianBreakRules/> <w:DontGrowAutofit/> <w:SplitPgBreakAndParaMark/> <w:DontVertAlignCellWithSp/> <w:DontBreakConstrainedForcedTables/> <w:DontVertAlignInTxbx/> <w:Word11KerningPairs/> <w:CachedColBalance/> </w:Compatibility> <w:BrowserLevel>MicrosoftInternetExplorer4</w:BrowserLevel> <m:mathPr> <m:mathFont m:val="Cambria Math"/> <m:brkBin m:val="before"/> <m:brkBinSub m:val="--"/> <m:smallFrac m:val="off"/> <m:dispDef/> <m:lMargin m:val="0"/> <m:rMargin m:val="0"/> <m:defJc m:val="centerGroup"/> <m:wrapIndent m:val="1440"/> <m:intLim m:val="subSup"/> <m:naryLim m:val="undOvr"/> </m:mathPr></w:WordDocument> </xml><![endif]--><!--[if gte mso 9]><xml> <w:LatentStyles DefLockedState="false" DefUnhideWhenUsed="true"
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<div class="MsoNormal">It’s very apparent early in Carmilla that it is a very different world than the one in which we live.<span> </span>If you think about it, it is very rare that most of America is unconnected from the rest of society.<span> </span>Between cell phones and Facebook (and other sources) it is very easy to keep in touch with people, and to see how they’re doing.</div><div class="MsoNormal"><br />
</div><div class="MsoNormal">The characters in Carmilla are not afforded this sort of luxury to which we have become accustomed.<span> </span>It is very clear, given the descriptions in the books, that all the people living at the castle only have each other to socialize with.<span> </span>“I have said that this is a lonely place.<span> </span>Judge whether I say truth.<span> </span>Looking from the hall door towards the road, the forest in which our castle extends fifteen miles to the right, and twelve to the left.<span> </span>The nearest inhabited village is about seven of your English miles to the left.<span> </span>The nearest inhabited schloss of any historic associations, is that of old General Spielsdorf, nearly twenty miles away to the right.” (page 244).</div><div class="MsoNormal"><br />
</div><div class="MsoNormal">This situation is made even more solitary by the fact that not a lot of people live in the castle. “I must tell you know, how very small is the party who constitute the inhabitants of our castle.<span> </span>I don’t include servants, or those dependants who occupy rooms in the buildings attached to the schloss.” (page 245)<span> </span>Added to this the fact that the narrator only is able to visit with her friends occasionally.<span> </span>“And there were two or three young lady friends besides, pretty nearly of my own age, who were occasional visitors, for longer or shorter terms; and these visits I sometimes returned.<span> </span>These were our regular social resources; but of course there were chance visits from ‘neighbors’ of only five or six leagues distance.<span> </span>My life was, notwithstanding, rather a solitary one, I can assure you.” (page 245)</div><div class="MsoNormal"><br />
</div><div class="MsoNormal">While I was reading this, it made me think of how connected we are to each other and how dependent on that sort of connection that we have become.<span> </span>Even if we tried to disconnect ourselves, I doubt it would be successful.<span> </span>Now, I am aware that the world is not all the same as us, and not all places have the sort of connection that we do.<span> </span>But for America, the majority of us depend on our socialization.<span> </span>Think about it, talking to the people in your class, talking to your teachers, talking to your friends.<span> </span>How desolate it would seem to only talk to the same few people day in and day out! Yes, our narrator does not seem that bothered by it, the descriptions just seem to be telling us of her life and the fact that it does get lonely.</div><div class="MsoNormal"><br />
</div><div class="MsoNormal">It’s interesting to think about the clash of our modern society with the one this book describes.<span> </span>Would we be able to handle the solitary location?</div>Lindsayhttp://www.blogger.com/profile/06529316419243964825noreply@blogger.com5tag:blogger.com,1999:blog-4131033013843569736.post-11033791208484348552010-09-22T20:02:00.000-07:002010-09-22T20:02:19.409-07:00Wuthering Heights Part 2: The Movie and The Book<!--[if gte mso 9]><xml> <w:WordDocument> <w:View>Normal</w:View> <w:Zoom>0</w:Zoom> <w:TrackMoves/> <w:TrackFormatting/> <w:PunctuationKerning/> <w:ValidateAgainstSchemas/> <w:SaveIfXMLInvalid>false</w:SaveIfXMLInvalid> <w:IgnoreMixedContent>false</w:IgnoreMixedContent> <w:AlwaysShowPlaceholderText>false</w:AlwaysShowPlaceholderText> <w:DoNotPromoteQF/> <w:LidThemeOther>EN-US</w:LidThemeOther> <w:LidThemeAsian>X-NONE</w:LidThemeAsian> <w:LidThemeComplexScript>X-NONE</w:LidThemeComplexScript> <w:Compatibility> <w:BreakWrappedTables/> <w:SnapToGridInCell/> <w:WrapTextWithPunct/> <w:UseAsianBreakRules/> <w:DontGrowAutofit/> <w:SplitPgBreakAndParaMark/> <w:DontVertAlignCellWithSp/> <w:DontBreakConstrainedForcedTables/> <w:DontVertAlignInTxbx/> <w:Word11KerningPairs/> <w:CachedColBalance/> </w:Compatibility> <w:BrowserLevel>MicrosoftInternetExplorer4</w:BrowserLevel> <m:mathPr> <m:mathFont m:val="Cambria Math"/> <m:brkBin m:val="before"/> <m:brkBinSub m:val="--"/> <m:smallFrac m:val="off"/> <m:dispDef/> <m:lMargin m:val="0"/> <m:rMargin m:val="0"/> <m:defJc m:val="centerGroup"/> <m:wrapIndent m:val="1440"/> <m:intLim m:val="subSup"/> <m:naryLim m:val="undOvr"/> </m:mathPr></w:WordDocument> </xml><![endif]--><!--[if gte mso 9]><xml> <w:LatentStyles DefLockedState="false" DefUnhideWhenUsed="true"
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<div class="MsoNormal">I watched the Wuthering Heights movie (The Masterpiece Classics version) </div><div class="MsoNormal"><br />
</div><div class="MsoNormal">A big difference that is noticeable right away is the fact that the movie starts at the end of the book, when Linton is going to live with Heathcliff.<span> </span>It continues until Young Cathy is locked in the house and being forced to marry Linton.<span> </span>It’s interesting that the movie starts out in this way, rather than following the book with having Mr. Lockwood there and Nelly telling the story.<span> </span>In this version, there is no Lockwood at all and Nelly is not the narrator of the story.<span> </span>The story is being told through Heathcliff’s memory as he gazes up at the window at Young Catherine.<span> </span></div><div class="MsoNormal"><br />
</div><div class="MsoNormal">Because the story is told in this way, it was necessary for the end (at least the beginning of the end) to be shown first... to provide an opening for Heathcliff to delve into his memories.<span> </span>I think it also brings the audience into the movie, because it really thrusts you into the action.<span> </span>There is no introduction to the characters like there is in the book (Lockwood’s stay).<span> </span>This makes the audience want to know who everyone is and what is going on and why it’s going on.<span> </span>However, they don’t really get to find out what is going on until the end of the movie, when the memories are over and Linton and Young Cathy marry.</div><div class="MsoNormal">Also in the movie, Young Cathy and Hareton do not marry.<span> </span>The story does not progress that far, stopping after Heathcliff dies.</div><div class="MsoNormal"><br />
</div><div class="MsoNormal">In the book, Young Cathy says to Heathcliff that she and Linton are in love.<span> </span>“’I shall,’ said Catherine.<span> </span>‘Linton is all I have to love in the world and, though you have done what you could to make him hateful to me, and me to him, you <i>cannot</i> make us hate each other! And I defy you to hurt him when I am by, and I defy you to frighten me.’” (page 269). She uses this fact to mock Heathcliff about having no one.<span> </span>“’I know he has a bad nature,’ said Catherine: ‘he’s your son.<span> </span>But I’m glad I’ve a better, to forgive it; and I know he loves me, and for that reason I love him.<span> </span>Mr. Heathcliff, you have <i>nobody</i> to love you; and, however miserable you make us, we shall still have the revenge of thinking that your cruelty arises from your greater misery! You <i>are</i> miserable, are you not? Lonely, like the devil, and envious like him?<span> </span><i>Nobody</i> loves you – <i>nobody </i>will cry for you when you die! I wouldn’t be with you!’” (page 270).</div><div class="MsoNormal"><br />
</div><div class="MsoNormal"><span> </span>However, in the movie the two are just friends.<span> </span>They knew each other before Linton went away to live with Heathcliff.<span> </span>When Heathcliff finds Young Cathy and brings her to Wuthering Heights, she instantly recognizes Linton and goes to him.<span> </span>However, it is not said that these two are in love, just that they are forced to marry.</div><div class="MsoNormal">Another difference is that when Cathy returns to Wuthering Heights, she is excited to see Heathcliff and does not insult him as she does in the book.<span> </span>However, the Linton’s do come for dinner and Heathcliff does get dressed up. </div><div class="MsoNormal"><br />
</div><div class="MsoNormal">I also think it’s interesting that in the book, Heathcliff claims that Catherine’s corpse is still recognizable.<span> </span>“… when I saw her face again – it is hers yet… “ (page 270).<span> </span>However, in the movie, we see that she is in fact a skeleton.<span> </span>We also see her as Heathcliff does, not changed in the slightest. </div>Lindsayhttp://www.blogger.com/profile/06529316419243964825noreply@blogger.com3tag:blogger.com,1999:blog-4131033013843569736.post-26336506900459805592010-09-15T20:06:00.000-07:002010-09-15T20:06:40.216-07:00Wuthering Heights Part 1<!--[if gte mso 9]><xml> <w:WordDocument> <w:View>Normal</w:View> <w:Zoom>0</w:Zoom> <w:TrackMoves/> <w:TrackFormatting/> <w:PunctuationKerning/> <w:ValidateAgainstSchemas/> <w:SaveIfXMLInvalid>false</w:SaveIfXMLInvalid> <w:IgnoreMixedContent>false</w:IgnoreMixedContent> <w:AlwaysShowPlaceholderText>false</w:AlwaysShowPlaceholderText> <w:DoNotPromoteQF/> <w:LidThemeOther>EN-US</w:LidThemeOther> <w:LidThemeAsian>X-NONE</w:LidThemeAsian> <w:LidThemeComplexScript>X-NONE</w:LidThemeComplexScript> <w:Compatibility> <w:BreakWrappedTables/> <w:SnapToGridInCell/> <w:WrapTextWithPunct/> <w:UseAsianBreakRules/> <w:DontGrowAutofit/> <w:SplitPgBreakAndParaMark/> <w:DontVertAlignCellWithSp/> <w:DontBreakConstrainedForcedTables/> <w:DontVertAlignInTxbx/> <w:Word11KerningPairs/> <w:CachedColBalance/> </w:Compatibility> <w:BrowserLevel>MicrosoftInternetExplorer4</w:BrowserLevel> <m:mathPr> <m:mathFont m:val="Cambria Math"/> <m:brkBin m:val="before"/> <m:brkBinSub m:val="--"/> <m:smallFrac m:val="off"/> <m:dispDef/> <m:lMargin m:val="0"/> <m:rMargin m:val="0"/> <m:defJc m:val="centerGroup"/> <m:wrapIndent m:val="1440"/> <m:intLim m:val="subSup"/> <m:naryLim m:val="undOvr"/> </m:mathPr></w:WordDocument> </xml><![endif]--><!--[if gte mso 9]><xml> <w:LatentStyles DefLockedState="false" DefUnhideWhenUsed="true"
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<div class="MsoNormal"> There are two distinct locations in this book; Thrushcross Grange and Wuthering Heights.<span> </span>Thrushcross Grange was the home in which the Linton’s resided in and is being used in the beginning of the novel as the living quarters for Heathcliff’s tenant, Mr. Lockwood.<span> </span>The way that Thrushcross Grange is described later in the book makes is sound very grand.<span> </span>“A splendid place carpeted with crimson , and crimson-covered chairs and tables, and a pure white ceiling bordered by gold, a shower of glass-drops hanging in silver chains from the centre, and shimmering with little soft tapers.” (page 43-44).<span> </span>Gold is often connected with wealth so this room seems to show how wealthy the Linton’s are and how grand Thrushcross Grange is compared to Wuthering Heights.</div><div class="MsoNormal"><br />
</div><div class="MsoNormal"> Wuthering Heights, on the other hand, was the home of the Earnshaw’s.<span> </span>Though Heathcliff owned both of them at the beginning of the novel, he chose to reside here.<span> </span>From the descriptions in the book, it seems to be that Wuthering Heights is more humble that its counterpart.<span> </span>You can infer this from the description of the entrance.<span> </span>“…Among a wilderness of crumbling griffins and shameless little boys, I detected the date ‘1500,’ and the name ‘Hareton Earnshaw.’” (page 2).<span> </span>From this page, it also seems like Wuthering Heights is somewhat fortress like in its design, having the windows deeply set into the walls.<span> </span>Also, Mr. Lockwood remarks that there is no entry passage, and that one steps directly into the sitting room.<span> </span>This seems to display that the house is not as grand as others might be.</div><div class="MsoNormal"><br />
</div><div class="MsoNormal"> It is pretty obvious that Heathcliff does not like Edgar Linton.<span> </span>“We laughed outright at the petted things; we did despise them!” (page 44).<span> </span>The Linton’s are all very rude to Heathcliff in fact, declaring that he is unfit for their house and not allowing him to stay with Cathy when she was injured.<span> </span>They also insisted that he be kept away from their children, as if he was some kind of animal.<span> </span>“…Mrs. Linton begged that her darlings might be kept carefully apart from that ‘naughty swearing boy.’” (page 50).</div><div class="MsoNormal"><br />
</div><div class="MsoNormal"> Cathy definitely changes during her stay at Thurshcross Grange.<span> </span>“…And her manners much improved.<span> </span>The mistress visited her often in the interval, and commenced her plan of reform by trying to raise her self-respect with fine clothes and flattery, which she took readily; so that, instead of a wild, hatless little savage jumping into the house, and rushing to squeeze us all breathless, there lightened from a handsome black pony a very dignified person, with brown ringlets falling from the cover of a feathered beaver, and a long cloth habit, which she was obligated to hold up with both hands that she might sail in.” (page 48).<span> </span>She also seems changed in that fact that she comments about Heathcliff being dirty, and that she is so used to the Linton children.<span> </span>It seems this hurts Heathcliff’s feelings, and he tries to be ‘good’ when the Linton’s visit.</div><div class="MsoNormal"><br />
</div><div class="MsoNormal"> It seems to be that the reason behind Heathcliff staying at Wuthering Heights is because of his extreme dislike of the Linton’s, and Edgar Linton in particular.</div>Lindsayhttp://www.blogger.com/profile/06529316419243964825noreply@blogger.com3tag:blogger.com,1999:blog-4131033013843569736.post-34634639152512435912010-09-10T20:10:00.000-07:002010-09-10T20:10:00.870-07:00Introduction<div style="text-align: center;">Hello!</div><div style="text-align: center;"><br />
</div><div style="text-align: center;">My name is Lindsay Brown. I entered this class because I'm more comfortable in an online setting and I needed three more credits after dropping another class. I was actually intending to take this class originally, but my roommate and I signed up for a different one (how nice it would have been to not have to catch up with all this!). I'm technically a sophomore, though I've been in college for three years. I started at NWTC, transferred to UW-Platteville, and then transferred here last year. I was a biology major, but changed it to English. I'm no good with introductions about myself, so I will just go down the list of what is posted on the main blog. </div><div style="text-align: center;"><br />
</div><div style="text-align: center;">Three interesting things about myself:</div><div style="text-align: center;">-I'm very interested in all things paranormal</div><div style="text-align: center;">-My phone is always attached to my hip</div><div style="text-align: center;"> -I love video games with a passion</div><div style="text-align: center;"><br />
</div><div style="text-align: center;">Favorite novel:</div><div style="text-align: center;">My favorite novel would be An Abundance of Katherines by John Green. I love all his books, but this one stands above the rest, in my opinion. I love John Green's writing style. I also love all of Ellen Hopkins' books. She writes about very real issues that people deal with but sometimes get swept under the rug.</div><div style="text-align: center;"> </div><div style="text-align: center;"> What books am I drawn to:</div><div style="text-align: center;">I like all books, I don't really discriminate.</div><div style="text-align: center;"><br />
</div><div style="text-align: center;">Expectations of a novel:</div><div style="text-align: center;">When I open a book, I want it to take me to a different place. Put me in someone's shoes, and make me live their experiences. Experiences that I may not have had the chance to be part of. </div><div style="text-align: center;"><br />
</div><div style="text-align: center;">How online Lit classes differ:</div><div style="text-align: center;">I'm tremendously shy, so I have problems speaking in front of a large group of people. I think online English classes work better for me because while they still have that element of discussion, it's text based and I don't have to stand up in front of people.</div><div style="text-align: center;"><br />
</div><div style="text-align: center;">Online communities I belong to:</div><div style="text-align: center;">-Facebook</div><div style="text-align: center;">-Gaia Online</div><div style="text-align: center;">-Myspace</div><div style="text-align: center;">-Youtube</div><div style="text-align: center;">-Twitter</div><div style="text-align: center;"><br />
</div><div style="text-align: center;">Experience with online communication:</div><div style="text-align: center;">It has been very positive for me, since I'm very shy (as I stated before). I've meet a lot of amazing people from all over the world and am happy to have them in my life.</div><div style="text-align: center;"><br />
</div><div style="text-align: center;">Picture:</div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi1Mfj9do47y1Qw58qGV6iRH8HWGtVku2Bd_5bTx2hwC-IJS3K6sdsgZJhFVd0WfFNP6pRBjt3HyGwUssAhBSINOX8xOxdmC4vgTh0nzA4BwReoVn9ajSQS46CvqQIWLnPGPpgtkeWJ6HVc/s1600/japan.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi1Mfj9do47y1Qw58qGV6iRH8HWGtVku2Bd_5bTx2hwC-IJS3K6sdsgZJhFVd0WfFNP6pRBjt3HyGwUssAhBSINOX8xOxdmC4vgTh0nzA4BwReoVn9ajSQS46CvqQIWLnPGPpgtkeWJ6HVc/s320/japan.jpg" /></a></div><div style="text-align: center;">Japan:</div><div style="text-align: center;">I love the style, I love the culture.</div><div style="text-align: center;">I love the horror movies and horror video games that come out of Japan.</div><div style="text-align: center;">And I <i>love</i> the sushi.</div><div style="text-align: center;"><br />
</div><div style="text-align: center;"><a href="http://www.gaiaonline.com/">Gaia Online</a></div><div style="text-align: center;">I've met a lot of amazing people here.</div><div style="text-align: center;">Also, I love dressing up my little avatar!</div><div style="text-align: center;"><br />
</div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgHCU4_pSMtwkDl846U1Zv08OzFvs-R5Xpln0ekbw8PJPVhe2HBD9fKjQ7T-P1Qpu6MYfUCIJcadtr9yt50MFwSsD-27f4ETInkw42VvShKqNKVFeDaDKxvPBnfFPW4P-C4xNCX8GZ-phlf/s1600/elizabeth-bathory-1.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgHCU4_pSMtwkDl846U1Zv08OzFvs-R5Xpln0ekbw8PJPVhe2HBD9fKjQ7T-P1Qpu6MYfUCIJcadtr9yt50MFwSsD-27f4ETInkw42VvShKqNKVFeDaDKxvPBnfFPW4P-C4xNCX8GZ-phlf/s320/elizabeth-bathory-1.jpg" /></a></div><div style="text-align: center;">Elizabeth Bathory.</div><div style="text-align: center;">I'm not sure if you could strictly call her a vampire, but she is included in my copy of The Vampire Encyclopedia.</div><div style="text-align: center;">She was a countess in 14th-15th century, and her nickname was The Blood Countess.</div><div style="text-align: center;">It is said she used to bathe in the blood of young virgin girls to retain her youth. She would take girls from lesser families and bring them to her castle to be maids, but really would torture them until death. She was finally caught because she grew bold and kidnapped a girl of noble birth.</div><div style="text-align: center;">Her victim count is anywhere from 80-600 girls.</div><div style="text-align: center;">She was also depicted in the movie Stay Alive, where she tries to kill the players of a video game.</div><div style="text-align: center;"><br />
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</div>Lindsayhttp://www.blogger.com/profile/06529316419243964825noreply@blogger.com1